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Eight-year-old Margaret Pokiak has set her sights on learning to read, even though it means leaving her village in the high Arctic. Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools.
Based on the true story of Margaret Pokiak-Fenton, and complemented by evocative illustrations, Not My Girl makes the original, award-winning memoir, A Stranger at Home, accessible to younger children. It is also a sequel to the picture book When I Was Eight.
This story is a powerful memoir of an Inuit girl searching for her true self when she returns from residential school.
Highlighted by archival photos and striking artwork, this first-person account of a young girl’s struggle to find her place will inspire young readers to ask what it means to belong.
A True Story. Sequel to Fatty Legs
Not My Girl is the same story in picture book form for younger children.
Olemaun is eight and knows a lot of things. But she does not know how to read. Ignoring her father’s warnings, she travels far from her Arctic home to the outsiders’ school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read.
Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.
As Long as the Rivers Flow is the story of Larry Loyie’s last summer before entering residential school. It is a time of learning and adventure. He cares for an abandoned baby owl and watches his grandmother make winter moccasins. He helps the family prepare for a hunting and gathering trip.
Lyrics in French (Canadian dialect):
Quand on part des chanquiers
Mes chers amis tous le coeur gai
Pour aller voir tous nos parents
Mes chers amis le coeur content.
Envoyons d’l’avant nos gens
Envoyons d’l’avant!
Mais qu’nos amis nous voyent arriver
Y vont s’mettr’ à rire, à chanter.
Dimanche au soir à la veillée
Nous irons voir nos compagnées.
Dimanche au soir à la veillée
Nous irons voir nos compagnées.
Elles vont nous dire mais en entrant
V’là mon amant, j’ai l’coeur content!
Elles vont nous dire mais en entrant
V’là mon amant, j’ai l’coeur content!
Et au milieu de la veillée
Elles vont nous parler d’leus cavaliers.
Et au milieu de la veillée
Elles vont nous parler d’leurs cavaliers.
Elles vont nous dire mais en partant
As-tu fréquenté des amants?
Elles vont nous dire mais en partant
As-tu fréquenté des amants?
Qui a composé la chanson?
C’est Jos Blanchet le joli garçon!
English translation:
When we leave the chanquiers (woodworking locations)
My dear friends, all with hearts gay,
To see all our friends and family,
My dear friends, all with hearts gay,
Let’s go boys, let’s go!
Let’s go boys, let’s go!
When our friends will see us arrive,
They start laughing and singing,
Sunday night at the vigil,
We’ll go see our partners,
Sunday night at the vigil,
We’ll go see our partners,
They’ll tell us as we enter,
Here’s my lover, my heart is happy,
They’ll tell us as we enter,
Here’s my lover, my heart is happy,
And at the middle of the vigil,
They’ll tell us of their lovers,
And at the middle of the vigil,
They’ll tell us of their lovers,
And they’ll ask us as we leave,
Did you go see any mistresses?
And they’ll ask us as we leave,
Did you go see any mistresses?
Who wrote the song?
It was Jo Blanchet, the pretty boy
